Love this tune!
Love this tune!
Sooo obsessed with this song at the mo:
Ladies and gentlemen ~ I present you with the ninth pop video I’ve made for a track from my current album, ‘Monopole.’
This track is an acoustic guitar number and the video stars bff Nat, bro Rich and the special effects makeup was beautifully executed by Rhia.
Have a watch and if you like it, please share it!
So, I switched on Channel 5 and the 1996 ‘Sabrina The Teenage Witch’ film is on. Ahhh, memories! I totally forgot Ryan Reynolds played the teenage dirtbag in it.
Seeing a twenty-year-old Melissa Joan Hart again reminded me of why I wrote this:
MJH is 37 now. I wonder if she’s ever heard my song!
Last weekend was INDIETRACKS 2013! I wasn’t playing this year so I could chill and just enjoy myself. This year was also even more fun because my beautiful friend Kaypea came to stay for the festival. This is her being all gorgeous:
The best thing about Indietracks is discovering new music. That being said, there are always famous (well, indiepop famous) acts playing. Bis, The Pastels, The Wake, Camera Obscura and The Brilliant Corners all played.
I haven’t seen The Brilliant Corners in… umm? Twenty-four years? It’s always problematic seeing a band decades after you first loved them but TBC didn’t disappoint. Their set was just packed with the poppiest of popness. They always had amazing choruses and ‘Why Do You,’ ‘Teenage,’ ‘Brian Rix,’ sounded just as good now as in my hazy Trent Poly memories.
The Pastels also played a glowing, effortless set. There’s something strange about The Pastels – whenever I see them play, they have this poise and connection with each other and with the audience that’s quite spooky. It’s also weird how they can integrate decades of music into one set and not have it sound forced or jarring; a testament to their prowess. They’re as much a Zen garden as they are a popular beat combo. They were playing the outdoor stage and I got soaked during their set but I didn’t care. Totally worth it.
And The Wake! Also veterans but you wouldn’t know it from their set. I’ve seen too many bands going through the motions on stage, too obviously on autopilot and probably unsure as to where they actually are let alone why they’re playing. The Wake were the opposite of that. They played the old favourites but it’s like they were playing new songs. James, standing next to me, hadn’t seen them before and didn’t know much of their music but he was converted. Now, *that’s* the power of a real performance!
But there were loads of new acts that I’d never seen before and who I can now welcome into my extensive music library. One of them, Pale Spectres (named after a Wake song, fact fans) only formed in January of this year, after the drummer and singer met at this gig in Paris. Not bad going, playing Indietracks six months after you form!
My fave band of this year was Martha, who I’ve never seen before. They came on and swept us all away, spunky punk pop with more of a lineage to Buzzcocks than Blink. Stupidly energetic, their set ended up in a stage invasion of laughing, jumping kids ~ the way every set by every gig ever should finish. Okay, maybe not goth gigs. And their drummer engaged in the first Indietracks crowdsurfing I’ve ever seen:
So, another year, another Indietracks done. We came, we saw, we got soaked in the pissing rain, we danced to French synthpop at the disco.
Can’t wait for 2014!
(Click here for a gallery of indiepics!)
As part of Apple’s celebrations of a millennium as a successful hegemonising swarm, they’ve been giving away apps free. One of these is Native Instruments’ Traktor iOS app. Traktor on the Mac and PC is a fully-fledged, pro-DJ app. I don’t use it when I’m DJing for reasons which I explain at length here.
But, whatevs, it’s pretty nifty if you like that kind of thing. I was never into it as the UI always seemed clunky and got in the way of the music. But Traktor on my iPhone is the opposite. Just being able to touch the waveforms and scroll backwards and forwards, no mousey-mousey, takes me back to my vinyl DJing years.
Within ten minutes of installing it, I’d knocked out this little mashup:
Bear in mind, what you’re hearing is just two tracks mixed on an iPhone. Traktor handles the sync and it does it faultlessly, as you can hear. I’m doing nothing apart from starting in the right place and the occasional bit of crossfader stupidness.
For me, this experience has been revelatory. I’ve got the demo of Traktor on my Mac: never made a thing with it. Five minutes with the iPhone app and, BOOM, mashup done.
Of course, it isn’t flash and my mashup is hardly genre-breaking but it’s quick and easy and, unlike the desktop Traktor, FUN! This is patently the element of the touch screen interface. Even with controllers for Traktor, it’s not as satisfying as grabbing the waveform yourself with your own little fat fingers.
Traktor iOS is light years ahead of the “pro” app. And I think it’s a sign of how the future will see a proliferation of what I call appropriate computing. Rather than assume bigger is always better, sometimes a low-powered, niche computer (which is what an iPhone is compared to my Mac Pro) will serve the task in hand better, particularly if it presents a UI more suited to that task.
Now, if you would excuse me, I’m off to try to mash Doris Day with As I Lay Dying. Byeeee!
Indie in the ’80s wasn’t the monolith it’s being sold as now, it was more than just The Smiths and The Cure. There were millions of weird little bands like this, popping up with great pop songs.
Looks retro now but I remember seeing it and lusting after the tech in the vid: Apple ][e (6502 processor!) with a Greengate DS3 sampler. AND THOSE HI-TECH GRAPHICS!
Ahh, the Channel 4 Chart Show Indie chart, back when Channel 4 weren’t idiots and indie music was actually on independent labels.