Moral Law?

Cluster Bomb
Cluster bombs – used in our war crimes against Iraq

In the early hours, two days before the attack on Iraq began, two men in their 30s, Phil Pritchard and Toby Olditch, cut through the fence surrounding the air base at Fairford in Gloucestershire and made their way towards the B52 bombers which were stationed there. The planes belonged to the US air force. The trespassers were caught by guards and found to be carrying tools and paint. They confessed that they were seeking to disable the planes, in order to prevent war crimes from being committed. This year they were tried on charges of conspiracy to commit criminal damage, which carries a maximum sentence of 10 years. Last week, after long deliberations, the jury failed to reach a verdict.
(Source: The Guardian)

Here’s a simple scenario:

You see a man about to shoot a child dead. So, without harming that man in any way, you seize his gun off him and stamp it into pieces. You’ve saved the child’s life simply by damaging someone’s property.

Have you committed a crime?

If you’re saying “no,” then should your answer be any different simply because the man happens to be a soldier? Why should the state, through its armies, navies and air forces, have any more right to carry out murder than an individual?

In summing up, the judge told the jurors that using weapons “with an adverse effect on civilian populations which is disproportionate to the need to achieve the military objective” is a war crime.
(Source: The Guardian)

Please read Monbiot’s full article, linked above. It seems that juries and judges are thinking morally – whatever will Butcher Blair and his government of murderers and liars do about that?

Kante – Die Tiere Sind Unruhig

Kante - Die Tiere Sind Unruhig

If you’ve been checking my Last.fm page lately, you will have noticed that I’ve been playing the above album to death. It’s Kante’s new album (well, it came out in August, I’m a bit late) and it’s called ‘Die Tiere Sind Unruhig.’ Sadly, my German is rubbish so I had to resort to Babelfish to tell me what that meant. Apparently, the album is called ‘The Animals Are Jerky.’

Kante are a German band that I’ve loved since I picked up their second album, ‘Zweilicht,’ which came out on Kitty Yo years ago. I love that album. Although I shouldn’t like this band at all… let me explain why.

They have very, very long songs. They have very long instrumental breaks in their long songs. Since they sing in their native language, I can’t understand any of their lyrics.

All of the above should make me not like Kante and yet, when I first heard ‘Die Summer der einzelnen Teile,’ I was swept away by the incredibly poppy chorus. I had to sing along.. god knows what I was singing. Then I was drawn into the rest of the album, which was slightly more abstract. But still catchy!

Well, ‘Die Tiere’ is, if anything, poppier than that first Kante record that I heard. Somehow, Kante are always lumped in with the dull post-rock brigade in reviews but they shouldn’t be as Kante are currently one of the best pop bands on this planet. Yep, their songs are very long by pop standards (the shortest one on the new album is 5.16!) but they’re never overlong. Kante songs are as long as they need to be. And the songs are all catchy with loads of catchy bits in-between the other catchiness.

The album kicks off with ‘Die Tiere Sind Unruhig’ which starts off epic and then just gets bigger. This is a beautiful song with one of the biggest choruses I’ve heard in ages. Again, I wish I knew what they were singing so I could sing along :-( The middle bit where it breaks down to warm chords and a simple guitar line is haunting. This music is cinematic in the same way that Sigur Ros are but more… rock? It’s far less wistful and more driving. But the soundscape element is definitely there.

Next up is ‘Ich Hab’s Gesehen’ which is far more rocky, in an almost Doors-y way. But Kante pull their usual trick: just when you think you know where the song is going, they stick in a subtle chord change and drag it in another direction completely. This song is the one you could compare most easily with mid-period Queens Of The Stone age or perhaps Wintersleep. How can this band come up with sooo many catchy choruses?

Track three is ‘Nichts Geht Verloren’ (Nothing Is Lost, thank you Babelfish). This has a minutely perfect verse melody that scampers up and down, hooking you without you knowing it. When the big drums and throbbing guitars come in, they only add to the power of the song: that’s already there in the first, quiet verse. The middle of this song is so intense, the build is so well-arranged. The guitars crescendo, intertwined with a descending dissonant string countermelody and then climax in a swooping proclamation. If Kante aren’t already being head-hunted by Hollywood soundtrack specialists then they should be. This band are effortlessly cinematic. This is my current fave song on the album.

‘Die Grösste Party Der Geschichte’ is a more upbeat, happy tune with Kante getting a bit funky, even breaking out a rap. When they get the funk, they do remind me a bit of The Notwist and it’s not just the shared nationality: Kante also flesh out their beats with subtle cross-rhythms and countermelodies. Where the Notwist do it with glitchy electronics, Kante do it in a rock band context but the end result is very light and spare, never funk metal. ‘Die Grösste Party’ is good change of pace, coming at just the right time in the album.

After the party, it’s back to pummelling us with ‘Die Wahrheit.’ The vocal here veers into Fall-like territory for the verses before loping off into the usual immaculate Kante chorus. Again, the reason this song works is the attention Kante give it, the interweaving countermelodies of guitar and bass frame the track without ever overwhelming it with prog excess. Got to love that backwards reverb too… Watch out for the wonky piano coda!

Remember that Notwist comparison I made? Well, ‘Ducks And Daws’ takes me there again, at least for the start of the track. If you’ve heard ‘Moron’ by the Notwist, then the melancholic, jazzy start of ‘Ducks And Daws’ will sound familiar to you. But then Kante take things further, opening up the stage and getting what sounds like a whole jazz orchestra involved. There’s some startlingly disarming clarinet soloing here. And it’s not simply a sheen of jazzness, the micron veneer that’s fashionable in “post-rock” circles, there’s a different feel entirely to the more rock tracks.

And then we have the last track. Yep, only seven songs, 47.59 minutes. But what a 47.59 minutes! ‘Die Hitze Dauert An’ is a sleepy, sombre closer for the album. It has the kind of dreamy feel of Kate Bush’s ‘Cloudbusting’ but the vocal is dry and crisp, standing out from the floatiness. Since this song is driven by crotchet piano chords, the laziest comparison would be to Coldplay. But that’d be like comparing Laurel and Hardy to The Chuckle Brothers: on the one hand you have sublime emotion, deft artistry, on the other, some blokes shouting “to me! to you!”

Congratulations! You, brave reader, have made it to the end of this very long review!

Sorry I went on a bit but I think this album deserves it. It’s easily vaulted its way into my top ten albums of 2006. Maybe it’ll be at number one? Who knows, there’s not that much going on in the indie-guitar-rock world compared to hip hop or electronic. That’s why bands with such ferocious ambition as Kante stand out.

Last night, I watched a chart run down of the top ten albums in Britain. At every entry, I had to shout ‘FUCK OFF! at the screen, never have I seen such a parade of pooh, such a cavalcade of crap, such a melange of mundanity.

Then, I came down this morning and put the Kante album on. And smiled.

Chinese Murder Tibetan Refugees

PRC Troops shoot refugees

A group of ethnic Tibetans trying to flee Tibet were shot dead by Chinese troops on September 30, at a Himalayan pass near the border of China and Nepal (Tibet is an “autonomous region” of China, having been taken over by the PRC in the 1950s). Reports are emerging that Communist party officials have attempted to silence witnesses, including Western trekkers who were in the area when the killing occurred
(Source: BoingBoing)

Yet more murder from the PRC military. And the same pattern of lying and cover-ups to hide the truth of their slaughter. I find it horrifying that I now take government denials of murder for granted. Whether it’s the US, UK or the Chinese, there’s the same callous dis-regard for human life, the same arrogance and intransigence.

Can there be any such thing as a just and noble government?

Bunnies!

Bunnies In Cups!

Sometimes, in this hard, cruel world, a grown man needs to look at pictures of overhwelming cuteness.

It’s been one hell of a grim newsday… so I needed a bunny refresh! Thankfully, I got two cups of bunny from Cute Overload. They have a section dedicated to them! Yaaay! :-D

US Guards Brag About Torture

Guantanamo Human Rights Violation

As the US rejected fresh British government criticism of Guantanamo Bay, an American soldier has made new charges that military guards brutally treated inmates at the controversial top security prison for terrorist suspects in south-eastern Cuba.

In a sworn affidavit, Heather Cerveny, a 23-year-old Marine Corps sergeant, says she met several prison guards at a club on the base where they told her over drinks of harsh abuse of detainees, she said the guards claimed the abuse was both commonplace and justified.
(Source: The Independent)

Remember, none of the “prisoners” in Guantanamo have ever been charged with anything. They’ve had no trial, no representation. And some of them are children as young as 14. They’ve been kidnapped by US forces and held illegally, some for over four years.

Please click here for Amnesty International’s report on Guantanamo.

I won’t quote the tortures carried out on these innocent people, they’ll all in the article linked at the top of this post. It makes me feel too ill to quote them on here.

But I would ask you this: how is it that this illegal imprisonment and torture camp has now been in business for half a decade? Why do the “civilised” governments of the world do nothing?

And when did the US legal system move from “innocent until proven guilty” to “guilty until proven innocent?”

Whether it’s modern China or North Korea, the old Soviet Union or modern America, we cannot allow governments to kidnap and torture people as and when they feel like it.

Who’s next? You?

Jack Straw’s Racism Bears Fruit

Jack Straw

Islamophobic attacks have surged in the past month in the wake of controversial remarks by ministers about British Muslims, say campaign groups.

The rise in verbal and physical assaults includes a spate of incidents in which Muslim women have been abused for wearing veils and scarves. They come in the week that the issue was raised by Jack Straw, the Leader of the Commons.
(Source: The Independent)

Well done, Jack! Your campaign to whip up Islamophobia and racism against brown people in general is working a treat. The BNP are loving the leg-up you’ve given their fascism, they’re even using your attack as the inspiration for a new leaflet campaign.

Of course, Islamophobes aren’t too clever so it isn’t just Muslims that are in trouble:

A Teesside family were also targeted at the weekend after vandals daubed graffiti on their home. The Joacph family were forced to cut short a holiday when neighbours alerted them to the attack on their home in Saltersgill, Middlesbrough. Slogans, including the words “kill Muslims” and “terrorists live here” were painted on walls and doors. Police have condemned the attack on the Joacphs, who say they are practising Roman Catholics.
(Source: The Independent)

Yeah, but they’re brown Catholics, innit? Which is almost Muslim! Which means they must be terrorists or support terrorism, according to our great leaders like Jack Straw and John Reid.

I find it ironic and heartbreaking that this racism is being promulgated by the current leaders of what used to be the Labour party. This party used to be a socialist party. Now it appears to be turning into a National Socialist party…

Terry Lloyd: Murdered By US Troops

Terry Lloyd

THE family of a British journalist [Terry Lloyd] gunned down in Iraq called for the United States marines who opened fire on his convoy to face murder charges, and branded them “trigger-happy cowboys”.

He was shot in the back by an Iraqi machinegun then, as he was evacuated in a makeshift ambulance, shot again in the head by American forces.

His Lebanese interpreter Hussein Osman was later found dead and buried, while French cameraman Fred Nerac is still officially missing.

Yesterday Mr Lloyd’s family condemned the Americans who fired on the team as “trigger-happy cowboys” who committed a “despicable, deliberate and vengeful act”.
(Source: Scotsman.com)

When I heard the news about Lloyd, I was stunned. I’ve grown up watching his steady, calm reports. He’s as familiar to me as Walter Cronkite would be to an American.

At first, I thought it must be a friendly fire incident, a horrible tragedy but one of the dangers of being a war correspondent.

But the truth is much darker:

American troops then started firing at both the clearly marked television vehicles driven by the ITN team. Lloyd was killed outright when he was hit in the head by an American bullet as he was being taken for medical treatment by an Iraqi civilian. “I am sure it was the intention of those who opened fire to kill or cause serious injury to those inside the minibus,” Mr Walker said.

“I have no doubt it was the fact that the vehicle stopped to pick up survivors that prompted the Americans to fire at the vehicle.”
(Source: The Independent)

The US troops were deliberately targeting the vehicle precisely because it was being used as an ambulance. Maybe the fact the vehicle was marked clearly that made it a target: all throughout the illegal invasion of Iraq, the US military has frequently murdered journalists not attached to US units.

I doubt we’ll ever learn the truth since the US government and military don’t care what their troops do. They can murder journalists, shoot injured civilians on video, torture prisoners to death and that’s all hunky dory. They and their followers have a Nazi mindset: only the lives of Americans matter. Everyone else is a subhuman and has no rights. As for any investigation:

The Royal Military Police (RMP) carried out an investigation into the incident. Major Kay Roberts, an RMP investigator, testified at the inquest on Terry Lloyd that a videotape of the incident, taken by a cameraman attached to the US unit that killed Terry Lloyd, had been edited before it had been passed on to the British investigation. The RMP forensics expert who examined the tape concluded that about 15 minutes had been removed from the start of the recording. Roberts testified at the inquest that she was sent the tape “many months” after the incident[4] and that the she was told by the US authorities that the footage they handed over was “everything that they had”.
(Source: Wikipedia)

That’s the US army way – if the evidence is damning, just tamper with it. And then have your own whitewash which gives you the result you want:

A US Defence Department spokesman said: “An investigation into the circumstances surrounding the incident was completed in May 2003.

“The investigation determined that US forces followed the applicable rules of engagement.”
(Source: Scotsman.com)

I’ll leave the final words to Terry Lloyd’s widow:

Lloyd’s widow, Lynn, said: “This was not a friendly fire incident or a crossfire incident, it was a despicable, deliberate, vengeful act, particularly as it came many minutes after the initial exchange.”
(Source: The Independent)

Why You Should And Shouldn’t Watch ‘V For Vendetta’

V For Vendetta

Well, what a surprise!

When I settled down to watch ‘V For Vendetta,’ I wasn’t expecting much. Maligned by one of its creators, dismissed as empty Hollywood flummery in many reviews and then the delayed release in the UK (it’s a 2006 film for us), all of that didn’t bode well.

I was riveted!

‘V’ is perhaps the most overtly political populist film I’ve seen since ‘Fahrenheit 911.’ Like that film, ‘V’ is by no means perfect. And the political points it makes are broader than, say, ‘The Weather Underground‘ or ‘Manufacturing Consent.’

But it felt exciting to be watching a big, Hollywood blockbuster that wasn’t yet another unquestioning blow-job to US militarism. Compared to ‘Black Hawk Down,’ ‘V’ is like a lecture by Marcuse.

There are some fine, subtle performances here too. Deeper than the average action-film fare. Without spoiling anything, there’s a particularly haunting scene with Stephen Fry that almost made me blub.

I love the little details in the film. The TV station BTN is a government mouthpiece. On a monitor in the corner of a scene, we see, entirely in passing, a brave Nordic woman being menaced by a stereotypical Muslim, sharpening a knife and cackling. Obviously, in the future, our TV scripts are written by Jack Straw.

It’s all these little touches that make the setting real. And it’s frightening because a lot of the dialogue the fascist ministers are spouting in this alleged work of fantasy is only slightly exaggerated from the language used by the US and UK governments now. This film is too close to the current truth for easy viewing.

Of course, simply because I loved it is no guarantee you will. I watched this film with my history, my experience, so that’s coloured my reception. If you’ve never been a particularly political person, whole swathes of this film may fly over your head. They’ll bore you. And if you are politically minded but you’re a right-winger… well, it’ll probably infuriate you with its relentless logic and appeals to basic human decency.

So, I’ve made it easy for you! Here you go!

Why you should watch it:
You’re not a fan of Bush and Blair.
You used to be in the Labour Party but want nothing to do with New Labour.
You enjoy lots of tiny, passing references in films.
You can cope with ambiguity.
You think all politicians are cunts.
You’re a socialist (but not a Stalinist).
You’re an anarchist.
You don’t really know what you are, you just dislike all governments of all flavours.
You know the ‘War On Terror’ is actually a ‘War For Oil.’
You think British imprisonment without trial / charges and Guantanamo are both continuations of Auschwitz.
You’re a Stephen Fry fan.
You believe all human life is equal and priceless and that none is more equal than others.
You’re not an absolute, Gandhi-style pacifist.
You read the graphic novel and enjoyed it.

Why you shouldn’t watch it:
You’re a Stalinist / Nazi.
You’re a nutsoid PNAC-loving Republican.
You’re an arselicking Blairite.
You’re Polly Toynbee.
You’re a New Labour apparatchik.
You think the British and Americans are doing a great job in Eyerak.
You’re old / British enough to know that kids weren’t taking the 11-plus in 1996. (Just found out I’m wrong on this – they were in the south!)
You think politicians do a jolly hard job for not very much money.
You don’t like films that make you think, it makes your poor little brain hurt.
You like films where the goodies and baddies wear big badges to identify who’s who.
You believe in law and order at any cost.
You don’t believe that the US and UK have just killed 665,000 innocent people in Iraq.
You believe that only the lives of you and your countrypeople matter.
You’re an absolute pacifist.
Eggy-in-a-basket.
You read the graphic novel and enjoyed it.
You’re Alan Moore.

Can you guess what mask I’m going to be wearing this Bonfire Night, gentle readers? :-D

Head Of British Army Wants Troops Out Of Iraq

Sir Richard Dannatt

“We are in a Muslim country and Muslims’ views of foreigners in their country are quite clear.

“As a foreigner, you can be welcomed by being invited in a country, but we weren’t invited certainly by those in Iraq at the time.”

He added: “Whatever consent we may have had in the first place, may have turned to tolerance and has largely turned to intolerance.”

“I don’t say that the difficulties we are experiencing round the world are caused by our presence in Iraq but undoubtedly our presence in Iraq exacerbates them.”
(Source: BBC News)

Who said the above? A “bleeding-heart liberal,” which is neocon speak for anyone who doesn’t share their neo-Nazi agenda? A hippy? Filthy, unwashed anarcho-veggie peacenik?

Nope.

The above opinion is that of Sir Richard Dannatt, the current head of the British Army.

Every time someone on the left calls for our forces to be withdrawn from Iraq, they’re derided by the Blairite junta as being unrealistic and unfamiliar with the realities of military occupations. Naive dreamers, that’s how we’re portrayed.

Does that also apply to the head of the British Army? Is he unaware of the military realities?

I can’t wait to see how the Blair government rubbishes Dannatt’s attack tomorrow, much as Bush rubbished the the death count of his mass-murder.

How will they spin this? They can’t, after all, call Dannatt an embittered old general like they have previous military critics – he’s the serving head.

Perhaps they’ll say he’s clinically insane. Or smells. Or perhaps they’ll point at a dog on a skateboard, that’s generally enough to distract the British mass media nowadays.

Every day, the news from Iraq is more and more conclusively damning of Bush and Blair’s illegal invasion. And everyday, the warmongers who ordered the slaughter bend into ever more ridiculous shapes, trying to convince us that black is white. What will they make of the following:

BBC political editor Nick Robinson described Sir Richard’s remarks as “quite extraordinary”.

He said the new head of British army was “effectively saying we are making the situation worse in Iraq and worse for ourselves around the world by being in Iraq”.

The comments “directly contradicted so much of what the government had said”, our correspondent added.
(Source: BBC News)

Spin that, you murderers.

Toujours Truffaut!

L'argent de poche

Tonight, I watched ‘L’Argent de poche’ with my wife. She’d never seen it before and I think the last time I saw it must be over eighteen years ago.

It was made in 1976 and it’s one of my favourite ever films. Well, I feel I should qualify that: Truffaut is my favourite director. So, a lot of my favourite films are Truffaut films. Before you think I’m trying to come across as a film-snob, I must point out that another of my favourite ever films is Gremlins 2: The New Batch. I’d certainly put that in my top ten. I don’t like films because they’re arty or obscure, I like films that grab me, that involve me, heart and soul.

And for that, no-one beats Truffaut.

From seeing Les Quatre Cents Coups as a kid and being utterly, absolutely blown away to hunting down his DVDs decades later, Truffaut has always captivated me. I admit, I’m slightly obsessed. When people start talking about Tarantino or Scorcese, yes, I can appreciate aspects of their work. But Truffaut had it all!

Watching ‘L’Argent de poche’ tonight, I was entranced by the lightness of Truffaut’s direction. It’s essentially a film about being a kid, that kind of strange, roaming existence that people of my age had when we were little kids, thirty years ago. I know that culture has gone now – no kid would have the free-rein to get up to the kind of mischief we did back then. They’ll probably start RFID tagging the poor little bleeders soon.

‘L’Argent de poche’ brought all those adventures back to me. It helps that in ’76, I was around the age of the kids in the film, maybe a year or so older. So the clothes, the hairstyles, the cars, the look of the ’70s, that was all like watching a film of my own childhood. (The same thing is true when I watch ‘Gregory’s Girl’.)

There are multiple stories going on in the film, none of them earth-shattering narratives. They’re just small moments, what life is like when you’re a kid. Truffaut also catches the shyness of pre-teen boys and girls perfectly. I remember that uncertainty and… mystification. What are girls? Why are they so annoying? Why do they ruin all the our fun… but why do I like being near them?

If this sounds cloyingly sweet, it’s not. There’s a darker plot too, which I won’t spoil, and a couple of genuine moments of heart-in-your-mouth tension. This isn’t a Disneyfication of childhood. Truffaut, as always, is a master storyteller. You wouldn’t think a film about nothing really that much at all would be so gripping.

If you’re not already a Truffaut convert, please check out this film or any of his others. The best film ever made, ‘L’homme qui aimait les femmes‘ is now available on DVD for around five quid! Five quid!!

So, rent some or buy some but let some François Truffaut into your life. You won’t regret it! :-)