Major, Clarke… Now Thatcher!

Baroness Thatcher has criticised Tony Blair for taking Britain to war in Iraq on the basis of flawed evidence about Saddam Hussein’s weapons. The former prime minister’s embarrassing criticism emerged as Mr Blair was among the 670 guests who attended a party to mark her 80th birthday.
(Source: The Independent)

First Major, then Clarke.

Now Thatcher, the woman who singlehandedly devastated Britain in the 1980s, has condemned Tony Blair’s warmongering.

Answer me this – in what way is Tony Blair a socialist? Why is he leader of the biggest socialist party in Britain, the only party with direct mass-union funding? He doesn’t believe in nationalisation, he wants to dismantle the NHS and he thinks it’s just peachy to hold innocent people with no trial or charges for months. Socialist?

She added: “The fact was that there were no facts, there was no evidence, and there was no proof. As a politician the most serious decision you can take is to commit your armed services to war from which they may not return.”
(Source: The Independent)

Have I unwittingly passed into some mirror universe? Where Tories are the cautious, law-abiding politicians and Labour politicos are blood-hungry hawks?

I find it incredibly strange that the woman who launched us into the Falklands War has damned Butcher Blair’s warmongering so thoroughly.

What the bloody hell is going on?

Whatever It Is, I’m Against It!

Horse Feathers[Groucho]
I don’t know what they have to say,
It makes no difference anyway,
Whatever it is, I’m against it.

No matter what it is or who commenced it,
I’m against it.

Your proposition may be good,
But let’s have one thing understood,
Whatever it is, I’m against it.
And even when you’ve changed it or condensed it,
I’m against it.

I’m opposed to it,
On general principle, I’m opposed to it.

[chorus] He’s opposed to it.
In fact, indeed, that he’s opposed to it!

[Groucho]
For months before my son was born,
I used to yell from night to morn,
Whatever it is, I’m against it.
And I’ve kept yelling since I first commenced it,
I’m against it!

Pretty much how I feel today. Thank fuck for Groucho Marx and his siblings…

The Indienet

Riddle Of Steel
What’s an alloy of carbon and iron?

A couple of days ago, I got this email:

Assuming I do have the right man, and you are the dj who’s been jamming our stuff, I’d like to say how absolutely grateful we are for your attention, and to be sandwiched in among some of our heroes is flattery on a scale that we are hardly used to.
Anyway, I can’t thank you enough.

It’s from Andrew from Riddle Of Steel. They’ve made one of my favourite rock albums of 2005, ‘Got This Feelin.‘ The track I’ve been playing at the Bless, ‘Baby Bird,’ is a bassy, tom-heavy rifferama. It’s amazingly catchy and everytime I’ve played it, I’ve had people ask me who it is.

So when I got the email from the band, I was chuffed. Until I got to this bit:

Hit me back if you get a moment so I can regale you with more questions, starting with: how did you hear about us??

Oh dear.

This is where a budding friendship often goes awry. For you, faithful reader, already know how I get to hear new music. 90% of the new bands I play when DJing I first hear via downloading. Whether that’s

The Arcade Fire (a top new tune way back on 27/9/2004)

or

Say Hi To Your Mom (top tune 26/7/2004)

or

Architecture In Helsinki (top tune 17/5/2004)

I only heard about them because I dug them up on the indienet. Sure, now they may be in the NME and other cutting-edge (HAH!) publications. But what use is that to me, as someone who’s always searching for new music? I don’t want to wait around for a whole year after a band’s album comes out to hear about them just because the NME are too busy hyping Hard Fi or other major-label dross.

That’s the truth of the music world at the moment: the best place to find wonderful new music is the internet. Radio, TV and the music press have got their heads so far up their arses that their ringpieces are distant memories. It’s not Radio Ga Ga for me, it’s Radio MURDER DEATH KILL. If I have to hear Katie Melua simpering winsomely one more time about bleeding bicycles, that’s what’s going to fucking happen.

And all the endless so-called ‘alternative’ shows are filled with the same Indie Clagg. I won’t name bands here, you know who they are. You know you’ll see their videos / hear their song every time you switch on, over and over again until you want to garotte the entire London media establishment. One would think there were only ten bands in the world, the high rotation these schmindie chimps get.

Here’s a question for the London music media, excuse me while I shout:

DOES NO-ONE CARE ABOUT NEW NON-MAJOR-LABEL MUSIC? IS IT ALL ABOUT FAT ADVERTS FROM THE MAJORS? WHY ARE YOU SO FUCKING LATE ON EVERY FUCKING BAND EVER? ISN’T IT MEANT TO BE YOUR BLOODY JOB, YOU USELESS COKEHEAD CUNTS? HAVE YOU NOT HEARD OF THE INTERNET?

But I digress.

Back to Riddle Of Steel…

This morning I had two options when replying to Andrew’s email:

1. Lie. Say I’d seen a review somewhere / heard it on the radio and then rushed out to buy the CD
2. Be honest. Say I’d downloaded their album, loved it and then bought it.

If I go with option 1, there’s a high likelihood that the band will be happy, want to be my friend, give me back-rubs and take me for picnics in sun-dappled glades. Happy otter!

If I go with option 2, as I always do, there’s a high likelihood that the band will be very unhappy, call me a thief, cry and slam the door before phoning their Mum in tears and telling her she was right all along, I am a beast. This, despite the fact that I’ve actually bought their CD(s). Sad otter!

This morning, I was tempted, just briefly, to lie. It’s so much easier. And bands are so much happier if you say you heard their music on the radio rather than on the net, even though you’ve not bought their record either way. And I’ve had some very bad responses from bands because I’ve DJed their music and got people to buy their CDs. And. And…

Fuckit. I told the truth. Let’s see what happens, eh? Maybe they’ll be as cool as The Jeunes, maybe they’ll be as sad and angry as The Books, maybe they’ll be somewhere round the middle like Say Hi To Your Mom.

All I can say is that a lot of music that would never have been heard even five years ago is now getting heard.

If the media establishment and major labels had their way, the indienet’s P2P and torrent sites would be shut down, your every online move would be tracked and approved by government watchdogs.

To find new music you’d have to turn to… the media establishment and major labels. Funny that, eh?

Conspiracy theorist, moi?

Long live the indienet!

UPDATE—

This news just in:

From: Paul ‘Three Guns’ Sellars
Given the subject matter of your recent rant, I was wondering if you’d considered releasing your new LP under a Creative Commons license…?

http://creativecommons.org/licenses/by-nc-nd/2.5/

As I understand it, you wouldn’t be under any obligation to post any tracks for download – but it would mean that people who bought the CD would be free to rip and P2P it with a clear conscience.

Sounds like a plan, Batman!

Have a read of the license. Surely all music should be released under these terms? Anyone who’s got any of my 7″s, flexis, cassettes or CD albums, feel free to upload them. I don’t give a crap!

The Chalets – Check In

The Chalets Check In

Just this morning, I got The Chalets debut album in the post. I would tell you more about the band but their site suffers from the cancer known as Flash and there’s no non-Flash version. Sort it out, eh, you non-web-standard, zero-disability-access buggers.

(and relax…)

Back to the actual music

This is a genuinely wonderful pop album. It’s a fizzy trifle with a pork pie heart. It’s sitting in an Escort outside your ex-girlfriend’s house, waiting for her new boyfriend to leave. It’s a bunny with a knife and a grudge. Listening to it, I’m taken way back to the B-52s‘ woefully neglected ‘Whammy!’ and slightly-less-far-back to Bis at their moptop cutest.

The interplay between the female and male vocals is flawless and superbly arranged. If you’re a pop harmony fan, you’ll love The Chalets. If you like intelligible pop, you’ll love The Chalets. The songs are artfully simple but have fathoms more meaning than yer average mascared corporate emo band, shouting about nowt.

Top tracks so far: ‘No Style,’ ‘Feel The Machine’ and ‘Two Chord Song.’ The last is particularly sarky and lyrically silly, something that’s so refreshing to hear in these days of tortured poetry about the difficulty of getting black hair dye out of your Mum’s towels.

If The Chalets were a film, they’d be ‘Gregory’s Girl.’ They’re real. That may sound like a strange thing to say about such a glam, image-conscious band but The Chalets sing about everyday life, real things and real people. How can you not like a band who have the lyric:

If it had been the ’80s, we’d have been on The Tube

Above all, like Altered Images, B-52s, Bis, Orange Juice and other bands who, at the time, were derided for not being po-faced rockers, The Chalets are serious about having fun. They want to make you dance and sing and think.

Buy this album if you like any of the bands listed above. Don’t buy this album if you think that blokes complaining over heavy guitars is the definition of “serious.”

Ricky Wilson died twenty years ago today. Gone, but not forgotten.

Bless Playlist 11/10/05

Reef The Lost Cauze
Reef The Lost Cauze

Tonight’s bestest new track was the sublime ‘Give It Up’ by Reef The Lost Cauze. 2005 has definitely been a year of amazing new hip hop albums and Reef’s entry, ‘Feast Or Famine’ is up there in my top ten. His flow is matched only by the sagacity and humour of his lyrics. Quality hip hop.

Bubble Puppy
Bubble Puppy

What can I say about the dudes above apart from THEY ROCK! Bubble Puppy’s ‘Elizabeth’ was the best old track tonight. It’s a marvellous late-psych / proto-prog pop song full of stupid twiddly bits and an intense guitar riff. It’s so unlike any rock that’s around now that it acted like an aural exorcism…mmmm….

Tonight, you heard:

Modey Lemon – Sleepwalkers
Roddny Dangrr Fild – Experience God
Delia Derbyshire – Door To Door
Spearmint – The Flaming Lips
Digitalism – Zdarlight
Propagandhi – Die Jugend Marschiert
Blackalicious – Excellent
Ladytron – Sugar
Imitation Electric Piano – Theme For An Imitation Electric Piano
Deerhoof – Vivid Cheek Love Song
Yesterday’s New Quintet – Dice Game
The Shins – Turn A Square
Aceyalone – Doin’ My Job
Max Tundra – Hilted
Limblifter – Fiercely Co-Dependent
Ochre – Rem Sleep Research
Refree – La Invasión De Los Cuerpos
Bear Vs. Shark – Seven Stop Hold Restart
Reef The Lost Cauze – Give It Up
Khonnor – A Little Secret
Le Tigre – Bang! Bang!
Riddle Of Steel – Baby Bird
Venetian Snares – Masodik Galamb
The Chalets – No Style
The Blow – Pile Of Gold
Fugazi – Exit Only
Blockhead – Carnivores Unite
Jamie Lidell – Multiply
Art Brut – Good Weekend
Cyne – Automaton
Adam Green – Chubby Princess
Vince Guaraldi Trio – Schroeder Piano
Black Lipstick – Viva Max
Like A Tim – Lets Die Together
Wintersleep – Jaws Of Life
The Roots – Set Em On Fire
Bubble Puppy – Elizabeth
Touane – Backward Is Forward
Broken Social Scene – Major Label Debut (Fast)
Tribe Called Quest – Award Tour
Rufus Wainwright – Cigarettes & Chocolate Milk
Loudon Wainwright III – A Father And A Son

The Future Of Music

The title of this rant is slightly tongue-in-cheek. I’ve been to more than a few conferences, parties and beat happenings where, eventually, the subject gets round to THE FUTURE OF MUSIC.

Various plans are wheeled out, usually by coke-eyed neo-yuppies keen on sucking money out of passing venture capitalists. But can they really guarantee that the future consists of passive consumers paying huge sums for DRM-hobbled, lo-fi, files? I’m not so sure.

So, I’ve done my own piece of specious futurology. Enjoy!

WARNING – the following is a highly simplified version of music biz history and structure. That means inaccurate. So steal it at your own peril, lazy music course students!

Old School
Biz 1890

The first music companies were publishers. Long before recording music was even possible, people were happily buying copies of the pop tunes of the moment to pump out on the old Joanna. How were songs made popular? Well, without broadcast media like TV and radio, a lot of a song’s popularity relied on live performances. Music halls and ballrooms were the discos of yesteryear, where you’d first hear a new pop tune. Then you’d have to track down the sheet music and play it yourself if you liked it enough!

The songwriter writes the songs. Performers get paid at gigs. The pop fan buys sheet music of their fave tunes.

Then And Now
Biz 1950

The 20th century saw the rise of the record label. Of course, publishers still existed and now managed revenue from radio, TV etc. as well as printing music. But their cultural (and perhaps financial) importance was reduced compared to record labels.

The label became the equivalent of a movie studio. Labels, through their Artists & Repertoire department, would source songs from writers and then assign them to appropriate artists. Then they’d stump up the money to record the result professionally.

How did pop fans know which records to buy? They’d hear them on the radio and, eventually, see them performed on their home televisors.

But times were already a-changing. The fifties onwards saw the rise of the singer-songwriter, artists who didn’t only want to cover other writers’ work but had a vision of their own. Then the last couple of decades of the century saw the explosion of cheap computer tech. At first, only rich artists like Prince or Kate Bush could afford their own recording studios. By the end of the century, anyone with a home computer had access to better recording tech than the Beatles or Buddy Holly ever had.

In the present day, we have both the business model above and new ones existing side-by-side. It’s a transitional time. There are new music businesses who sell ringtones, digital downloads, streaming services etc. Meanwhile, the major labels are playing catch-up, just like the publishers were when recorded music took off.

A lot of the major record labels that exist today were spun out of existing publishers. Perhaps the same will happen with the digital world? I believe it’s a huge mistake to have record labels managing digital downloads. Having met people in all the major labels, I can tell you I haven’t so far met anyone with even a basic grasp of what the internet is or how it works, let alone how to make money out of it. Each corp needs to launch digital divisions dedicated to the modern world, not stagger on with companies based on expertise that only applies to a business model at least 60 years old.

But that’s my advice to labels who want to survive. As it happens, I don’t want major labels to survive. I think they’ve lost the plot and are dusty relics, obsolete obstacles in the path of artists and art. I want a different future.

Forward To THEEE FUUUTUURE!
Biz 2020

It’s a very simple business model: I write the songs, I perform them, I record them and then I sell them to anyone who wants to listen. In the process I’ve cut out recording studios, labels, publishers, distributors and retailers. So even if I only sell one-hundredth the songs I was before, I’ll get to keep 100% of it. Why should I settle for 3p from a £11.99 CD? I made the damn music. Hmmm… “None of you would help me when I baked my cake, now all of you will help me eat it!” Sounds familiar… For that matter, why the hell does the iTunes version of The Lightning Seeds best of comp cost a whole quid more than the physical CD? This is the madness of record labels – a digital file costing more than actual atoms!

I’m not saying that all artists will be self-recording songwriters, of course. There’ll always be people who don’t want to or can’t record themselves or want to perform only covers. But I believe the majority of music will be made by singer-songwriter-producers. Bear in mind, this includes rock bands who have a tame geek to do their recording, it doesn’t have to be the actual writer. It just means artists don’t have to wait for label money to record their music.

Notice the arrow is labelled ‘Cyberwent?’ I’ve had to label it because there’s a lot going on in that arrow.

Firstly, how the hell do all these musicians get people to hear them, to even know they’re alive? Well, it’s obvious to any sentient being that the existing music press is obsolete. If you’re a true music fan, you don’t wait for print, you go online to find out the latest information about releases or tours. The music press is also, now more than ever before, deeply in the pocket of the major labels. Ditto radio and TV.

This works fine for music megastars: their labels will buy them coverage. But for new musicians, there is less opportunity every year to get heard, to connect.

But every week, I play shedloads of brilliant new music by artists, most of it self-released or on tiny labels. The only way I hear this stuff is because of the internet. I spend hours trawling it, looking for new sounds, new styles.

In the future, we’ll have semi-intelligent agents who learn our tastes. Perhaps they’ll be descendants of the algorithms Last.fm runs. They’ll run on our home music systems or whatever replaces iPods, keeping notes on what we listen to and storing all those preferences away. They’ll even be able to analyse the music musicologically rather than merely statistically.

Then these agents will scour the net for us, comparing what’s out there to what we already like. The adventurous amongst us could select a low match rate, therefore being surprised quite a lot. The un-adventurous could set their agent to be strict and only source music exactly compatible with their existing tastes. Perhaps you only want to hear love songs today? Maybe you’ve been through a bad break up and only drill’n'bass will do it for you? Whatever you want, your agent will find it for you.

Making It Pay
But will people actually pay for the music?

I believe they will. I know plenty of people of all ages who download music and they all buy CDs. A lot of them, like me, actually buy more CDs now because they’re hearing more music they like.

Sure, there are plenty of leeches who never buy what they’ve downloaded but the important question here is:

Would they ever have bought a CD in the first place?

I don’t think so. These people aren’t fans of the artists. A real fan wants a connection to an artist and buying their music (or T-shirts / mousemats / cufflinks) gives them that connection. Stealing isn’t a connection. There’s nothing I like better than opening up a parcel and seeing a brand-new CD in there, all shrink-wrapped and gorgeous. Mostly, they’re on the artist’s own label and I feel happy that I’ve contributed towards them making more cool music.

So, for me, and most other people I know, illegal downloading is just a new form of radio. We listen before we buy.

The Conclusions Bit
A lot of people will hate all I’ve said above. They’ll be the people who now work at labels, distribution, retail, the music press, tv and radio.

For artists, I think the future is enormously promising. As the numbers of people online grow hugely, there’s more and more potential to find fans for your music. Even if only 0.5% of people like your music, 0.5% of, say 2 billion is…well, you do the maths.

For labels, retailers and the old media, I see a slow slide into irrelevancy and obscurity. Their functions will be subsumed by the net and intelligent agents. I have no doubt that some future version of Google will be able to take your listening preferences and send its search spiders scurrying for new tunes. I think they should call it Moogle.

We have the tech. We have the tech to realise the sounds in our head. We have the tech to record these sounds, perhaps even in 5.1 if we feel like it. We have the tech now to sell directly to anyone anywhere the net is. All we’re waiting for is the tech for them to find us…

Once we have that last piece, you could record a track tonight and have sold twenty copies of it to fans around the world by tomorrow morning.

I’m impatient.

Giant Penis

Architeuthis

But having such a big penis does have one drawback: it seems that co-ordinating eight legs, two feeding tentacles and a huge penis, whilst fending off an irate female, is a bit too much to ask, and one of the two males stranded on the Spanish coast had accidentally injected himself with sperm packages in the legs and body. And this does not seem to have been an isolated incident since two of the eight males that had stranded in the north-east Atlantic before had also accidentally inseminated themselves.
(Source: CDNN)

We’ve all been there, haven’t we lads?

New CDs

New CDs

From the top, left to right:

The Spy Who Loved Me – OST
House Of Flying Daggers – OST
Cyne – Evolution Fight
The Soviettes – LP III
On Her Majesty’s Secret Service – OST
Say Hi To Your Mom – Ferocious Mopes
Wevie Stonder – The Wooden Horse Of Troy
Reef The Lost Cauze – Feast Or Famine

I would like to point out to the RIAA, BPI and any other copyright gangsters that, apart from the soundtracks, the only reason I bought any of the above CDs is because I downloaded them illegally first. I would never have come across these artists in the corporate mass media since it now seems to resemble an intestine bloated with watery shite.

Please check out all the above CDs. They’re all lovely pop albums from the genres of hip hop, punk, indie and electronic silliness. Well worth a listen.

After all, they are all Pikachu-approved. :-)

More Republican Nazi Thinking

Republican Rally
Another successful Republican convention.

Stefan Jones says: A proposed bill (PDF of text here) by Indiana Republicans would limit assisted reproduction services to people who have a “Gestational Certificate.”

“It’s probably not a surprise that only married heterosexuals would qualify, but the other information the bill suggests be collected reads like something from Eugenics manual.
(Source: Boing Boing)

If you haven’t ever read it, I recommend you read Wilhelm Reich’s brilliant ‘Mass Psychology of Fascism.’ Apart from being the best analysis of Nazi / Tory / Republican thinking I’ve ever read, it’s an eye-witness account of the rise of fascism in Germany. I read it after I’d become disillusioned with orthodox Marxist-Leninist politics and it was a revelation to me. Finally, here was a communist who was analysing sexuality in relation to class struggle and specifically its repression by state / church / political party.

Reich wouldn’t have been surprised that Republicans in Indiana are trying to limit reproductive rights. They’re following in the grand Nazi tradition of dismantling human rights and making them subject to religious and political approval. It was in Reich’s book that I first read that a favourite slogan of the Nazis for the role of women was ‘Church, Children, Kitchen.’ I’m just surprised this hasn’t already been taken up by modern nutty Christian Republicans as one of their campaign totems.

Here’s what the lovely Republicans would judge your right to have children on:

(6) Personal information about each intended parent, including the following:

(A) Family of origin.

(B) Values.

(C) Relationships.

(D) Education.

(E) Employment and income.

(F) Hobbies and talents.

(G) Physical description, including the general health of the individual.

(H) Birth verification.

(I) Personality description, including the strengths and weaknesses of each intended parent.

Hmmm… values, eh? What values would those be? Say if I was a Ginsberg-quoting hippy, would I measure up to their standards for reproduction? I doubt it. What business is it of theirs what my values are? What gives them the right to judge me? Why should I have to be married to qualify? Surely if God meant for this to be legislation, he would have automagically made it so that un-married people were infertile. Since he didn’t, I assume it’s ok by him that un-married people rut like crazy and breed correspondingly.

And gays wouldn’t even get to this vetting stage, being barred for the crime of being as the Republican God made them. This bit wasn’t that much of a shock. We all know how much them thar Repbulicans hate the gays (and blacks / unions / science / free thought / poor people).

Sometimes I look at Tories and lament at their right-wing fuckheadedness. Then I look across the Atlantic at the havok wreaked by Bible-bashing Republicans and I feel like giving Ken Clarke a snog.

UPDATE!

Saw this just now:

If the Virgin Mary had been born 2000 years later, she might have ended up in an Indiana State prison, if Republican lawmakers there get their way. A proposed bill hopes to make criminals out of unmarried women in Indiana who conceive “by means other than sexual intercourse.”

Peter Svensson says: “Under the proposed Indiana law, if [Mary] willingly accepted the Holy Spirit’s visitation, that would be a misdemeanor:

As it the draft of the new law reads now, an intended parent ‘who knowingly or willingly participates in an artificial reproduction procedure’ without court approval, ‘commits unauthorized reproduction, a Class B misdemeanor.’ The criminal charges will be the same for physicians who commit ‘unauthorized practice of artificial reproduction.’
(Source: Boing Boing)

HAH! Take that Virgin Mary, you no-good, Holy-Spirit-shaggin’ COMMIE!